This beautiful transcription for cello and lever or pedal harp is based on the 2nd movement of J. S. Bach's Solo Violin Sonata No. 2, BWV 1003. It is in the original key of C, and omits the more chromatic B section. The harp part is at the very easy intermediate level, with just a few lever/pedal changes. The cello part is designed at a more advanced intermediate level. It is especially suitable for worship,

From the Suite No. 3 for Violoncello Solo, BWV 1009 arranged for harp ensemble. There are just a couple of easy accidentals (written for lever harp but can be played on pedal). Three pages, full score. Harp one carries the main part, mostly eighth notes. Harp 2 is very easy, chords and rests. Page three can be pulled out and set with all the pages on music stand to eliminate page turns.

Andante Cantabile is one of the most beautiful and poignant pieces by J.S. Bach. Rhett Barnwell has arranged it for the first time for lever or pedal harp and organ. Originally the second movement of the Sonata No. 2 for solo violin, unaccompanied, Mr. Barnwell has skillfully adapted it for the intermediate harpist and organist. In the key of C, with a few accidentals, which are clearly marked

Rhett Barnwell's "Basically Bach" is a collection of some of Johann Sebastian Bach's most popular pieces, arranged for lever harp. The pieces range in difficulty from advanced beginner through advanced intermediate. Many of these pieces have never before been arranged for the lever harp, and all can be easily adapted for pedal harp as well. There are a few fingerings and lots of lever changes in most of the

A Transcription of the “Chaconne in D minor” from the “Sonata No. 4 for unaccompanied violin.”  This piece transcribes well to the harp and the increased sonority of the instrument is used to highlight registration and the contrapuntal texture of the original.  This piece demands a high degree of technical and musical skill.

Catrin unveils the most exciting project of her remarkable career - JS Bach Goldberg Variations, BWV 988 arranged and edited for the harp. 80 pages.

Bach, Johann Sebastian: Junior Bach Collection, adapted for harp by Pearl Chertok. Beginner level.

Titles: First Prelude in C, Minuet in G, Gavotte, Chorale (Jesu, Joy of Man's Desiring), Prelude in F, Prelude in D minor, Prelude in C from The Well Tempered Clavier.

A marvelous transcription for solo harp of Bach’s first three keyboard Partitas, with fingerings, suggested dynamics and an explanation of the ornaments to be used provided by a celebrated harpist.

The famous Prelude in C. Specially arranged for Harp 1 to be played by teacher (leader) on pedal harp with Harp 2 played by harpist beginner on lever or pedal harp.
Harp 1 can also be played as a solo

Prelude in C Minor BWV 846

Isabelle Perrin has created a remarkably fine edition of this beautifully crafted suite: it will grace any recital hall in the world! Comprises six movements.

Advanced level.

"The Edward Witsenburg Collection: Sinfonie - No.10 from the Christmas Oratorio, Part 2"

Arranged and edited by Edward Witsenburg. A new, ongoing series: a constantly growing collection from this well-known and exceptionally gifted harpist, teacher and arranger.

Music inspired by a photographic collection prom the period prior to and just after the introduction of the windmill in the Southwestern Unites States. Beginner to intermediate level.

Titles: Harp of the Western Wind, Landscape: Spanish Mission, Tag Around the Windmill, Morning Splendor, Indian Rain Dance, Crossing the Prairie...Dust Devil.

Rain Songs for flute, rainstick and harp. The rain songs were inspired by the sound of the Andean rain stick, slowly turning in the first and last songs of the set. The alto flute was used to lend the mysterious, native sound of the panpipes of the Andes mountain region to this music. 

This collection of 14 hymns and original compositions by Rhett Barnwell will be extremely useful for anyone who plays a lever harp in church. It includes Amazing Grace, Aria (Handel), Arioso (Bach), Rhosymedre, Be Still My Soul (Sibelius), It is Well With My Soul (Bliss), Blessed Assurance (Knapp), The Old Rugged Cross (Bennard), and Largo (Dvorak). There are also Rhett's compositions: Angel's Hymn, Lullaby, The

Rhett Barnwell's 3-page arrangement of Amazing Grace begins with the melody played in harmonics. A simple left-hand pattern comes in for the 2nd verse. The final verse features large 8-note chords. It is in the key of C with no lever changes, and no fingerings.

A simple and lovely solo, appropriate for meditation music. In the key of C, no accidentals. Can be played on a lap harp as the lowest note is F below middle C.

Aria in Classic Style, by Marcel Grandjany, arr. Rhett Barnwell. This classic piece, originally for pedal harp and organ, has been skillfully arranged for solo lever or pedal harp. Though much abbreviated, it retains the main melody and the complete cadenza. In the original key of G, with a few lever or pedal changes, playable at an intermediate level.