Good old Christmas classics spiced up with some interesting and groovy accompaniments. Each piece has two harp parts. 

The pieces are all arranged so they can be played as a solo, if you play the Harp one part, or as a harp duo with a second harp playing the accompanying voice. Using the chord symbols, it is also possible to make your own accompaniment - at your own level. The melody of the main

Beautiful arrangements of classic Psalms for harp and melody instrument. We have played through each of these arrangements using pedal and lever harp, and melodica, recorder and even humming. The arrangements are really beautiful and well done, with independence and interest in both parts. Well edited with lever changes indicated. Fingerings are not included, however there are no tricky passages. All pieces are

Deborah Govenor has created a marvelous compilation of various tunes all exemplifying the theme of Christ as the Good Shepherd. Most are in the keys of G and D major with two or three pedal/lever changes. All for harp with melody instrument, some have solo harp versions as well. Well, look no further! Solos are simply elegant with intermediate type counting and pedal changes and are perfect for soft wedding

score 6 pgs + harp1: 2 pg + harp 2: 2 pg

for Harp Ensemble in Two Parts (at Levels 2 and 1) with optional parts for Flutes / Violins or other folk instruments.

The Harp Orchestra Polka Set No.1 is a combination of 3 polkas entitled ‘John Egan’s’, the ‘Murroe’, and ‘Peg Ryan’s. These are East Limerick polkas from the rich tradition of music for set

2 or More Harps flexible Ensemble Collection Vol. 1
Yes! It is flexible:

ADAPT IT TO YOUR ENSEMBLE:

Play harp 1 and 2, or 1 and 3, or 1, 2 and 3.
Play as few as one harp (any one), combined with one or more melodic instruments.
Play with large ensembles assigning each part to several harps.
Subdivide any part and assign, for example, only an easy melody line or an easy bass line

For 1, 2 or more harps. 80 pages.

The book includes some of the most beloved Christmas songs form Colombia, Mexico, Venezuela and other countries as well as some of Ortiz' original compositions. It includes fun Latin style arrangements of JINGLE BELLS . . . LATIN WAY and even O TANNENBAUM going into Latin styles.  

ALL the music can be

Versions for a melody-instrument with 1 or 2 harps.

These arrangements of traditional Celtic tunes are well thought out, tried and true performance material, with interesting harmonies, countermelodies and rhythms. They can be played on harp or piano, with 2 C instruments. The hammered dulcimer part generally plays the melody, the harp the accompaniment and melody, and flute the melody and countermelody. Because the music is so diverse in both style and type,

Renaissance de la Harpe Celtique or Renaissance of the Celtic Harp is a 1972 record album by the Breton master of the Celtic harp Alan Stivell that revolutionised the connection between traditional folk music, modern rock music and world music.

The release of this album with its fusion of classical, traditional folk and rock music, its mixture of instruments (cello, harp, electric guitar, traditional and

A book with 19 fiddle tunes for harp. Suitable for beginners and average players.

In these arrangements, harmonies are added to existing tunes. A soloist can play the harmony section while the harp plays the melody or vice versa. They are intended as fun songs to play with your friends.

"Fiddle tunes" are usually defined by a tune of 32 bars, with an AA BB form or something close to that