Arranged for Flute & Harp Ensemble by Jane Groves. Parts supplied for 3 flutes & 2 harps but this flexible arrangement is suitable for any configuration of flute(s) and/or harp(s) Elementary - Intermediate level. Score + set of parts (Flutes 1 - 3, Alto Flute & Harps 1 - 2)

Arranged for Flute & Harp Ensemble by Jane Groves. Parts supplied for Flutes 1-3 + Harp but this flexible arrangement is suitable for any configuration of flute(s) and/or harp(s)

Arranged for Flute & Harp Ensemble by Jane Groves. Parts supplied for Solo Flute or Flutes 1-3, Alto Flute & Harps 1-2 but this flexible arrangement is suitable for any configuration of flute(s) and/or harp(s)

Majestic advanced pedal harp solo. Theme with 3 variations. 5 pages.

Traditionals, arranged for Flute and Harp by Jane Groves. The harp part has been edited by Ben Creighton Griffiths

Titles:
The Rising of the Sun, Bring Forth the Harp, She Must Be Mine, The King's Delight, The Bells of Aberdovey, Cambria

Shady Grove features 14 pieces from Kim Robertson's Shady Grove CD, arranged by Kim for solo harp. It includes renditions of American folk songs, Stephen Foster tunes, and English and Irish ballads that migrated to the Southern Appalachians, as well as hymns and dances from Playford's 'The English Dancing Master'. Most of the pieces are in the key of C, or 1 or 2 sharps; 'I Will Arise' is in the key of D minor (1

Eleven original pieces for Harp inspired by the scenery, wildlife and legends of the West Highlands of Scotland and performed by Sarah.  The playing standard is intermediate to advanced.

Titles: The road to Letterfearn, Camusfearna & Edals jig, Rionnach, Moonlight on the water, Reflections (Isle of Rum Suite), Talisker Bay, The Sister's Lament, The Castle Jig.

From the poetry of Thomas Hardy, Kenneth Grahame and G. K. Chesterton - modal music by Carol Lloyd Wood. Really beautiful compositions for low voice and harp - haunting. Easy harp parts for full range lever harp or pedal harp. Haunting and mesmerizing! 17 pgs.

The Oxen - key of C (d dorian)
Carol from "The Wind in the Willows" - key of G (a dorian)
A

Sonata in G - from Sonata No. 5 for flute & keyboard
Sonata in C - from Sonata No. 6 for flute & keyboard

By James Hook, arranged for Flute and Harp by Jane Groves. The harp part has been edited by Ben Creighton Griffiths

Sonata in G - from Sonata No. 3 for flute & keyboard
Sonata in C - from Sonata No. 4 for flute & keyboard

By James Hook, arranged for Flute and Harp by Jane Groves. The harp part has been edited by Ben Creighton Griffiths

This album is written for beginners who wish to play together The melodies can be played on recorder, flute, clarinet-Bb and violin. The accompaniment is written for the non-pedal harp. It is up to the performers to decide whether a melody suitable for the instrument they play. With so many different instruments it is not easy to satisfy them all the time.
This music is small collection

The Dusty Strings FH34S is a beautiful harp with a bright, clear sound with strong basses. The FH34S harp is almost identical to the FH34. The difference is in the shape of the sound box. The sides and back of the sound box consist of five facets. This design puts a flat facet, rather than a corner, against the player’s shoulder, which some find more comfortable and which makes it easier to reach the lower strings.

The FH34 is built in various carefully selected hardwoods and is made with nylon or gut strings. Included are a transport case, legset and tuning wrench.

Sonata in G - from Sonata No. 1 for flute & keyboard
Sonata in C - from Sonata No. 2 for flute & keyboard

James Hook (1746-1827), composed over 2,000 songs as well as many stage works, cantatas, concertos and chamber pieces. His chamber music included a set of six sonata for flute and keyboard written around

A nice melody for harp and voice. This composition by Marcel Tournier is based on a poem by Henry Bataille.

The Knappogue Medley is based on two Irish tunes, The Morrison Jig and Fill, Fill a Rún Ó. This version of The Morrison Jig has been used in Knappogue Castle in Co.Clare in the West of Ireland, and differs from the standard version of the tune in the B section. Fill,Fill a Rún Ó is a plea from Roman Catholic mother to her son to turn back from his conversion to Protestantism.

Saskia has also made seven spiritual songs suitable for the harp. Intermediate harp level. 11 pages.

It contains the following titles:
Tel uw zegeningen, Nader tot U, Machtig God, sterke rots, Op bergen en in dalen, Welzalig de man, Blijf met mij Heer and Was Gott tut, das ist wohlgetan.

A delightful new book of mostly Celtic tunes and songs and a few poems, collected, interpreted, arranged and in some cases composed by Mary K. Lloyd.
The titles in this book are super! Many favorites, some as harp solo, some as harp with voice, some as both. For intermediate harp in C, G or D with one optional Eb.  The poems, melodies and lyrics are all lovely! Even includes a Ugandan folk

Franz Liszt took his inspiration for this piece in an opera piece for voice and orchestra "The Nightingale" by Aleksandr Alyabyev. Henriette Renié has made a beautiful harp arrangement of this. A nice recording, in which the piece is played very sensitive by Anneleen Lenaerts can be found on Youtube.

A beautiful, virtuoso harp solo for advanced players.

The piece is characterized by a distinctive '3 vs. 4' movement: the right hand plays sixteenth notes, and the left-eighths in sextolen. It requires a good rhythmic control from the player as well as a well-developed technique, especially because many passages through their extensive use of sharps and flats and repair signs are difficult to read. In