Ik speel harp! by Annerieke Kaldeway and Judith Jamin.

A starter's guide through the harp technique for children by Annerieke Kaldeway and Judith Jamin. The book is based on five chapters: intervals, chords, scales, dynamics and creativity. Creativity is developed by asking questions such as: What does it sound like when...? Play the tune a tone higher, what changes? What would you like to change? How

In HarpHandig! you learn step by step to play the harp and you gain insight into music. In addition to the basic techniques of the harp playing, you will learn everything about the musical language: the musical notation, rhythm reading and various other general musical information. The book is not only a workbook, but also a useful reference book.

Judith Jamin has arranged Pachelbel's Canon for three harps. Existing versions of this canon are difficult for many amateur harpists. Dividing the melody in two parts results in a much more playable arrangement. Complemented with a good 3rd part playable for beginners, this version of the canon is suitable to play with harpists of different levels.

17 nice, musical and cheerful solos that are suitable for the beginning harpist who is not yet very rapid, but still wants to play beautiful music!

All pieces were created and/or arranged by Annerieke Kaldeway and Judith Jamin.

Titles: Lotusbloem, Phrygian, Lopend Vuurtje, Twee Canons, Shalom Chaverim, Menuet van Rousseau, Bachs Menuet, Sheebag Sheemore, The Clergy's Lamantation, The raod to

Traditionals, arranged for Flute and Harp by Jane Groves. The harp part has been edited by Ben Creighton Griffiths

Titles:
The Rising of the Sun, Bring Forth the Harp, She Must Be Mine, The King's Delight, The Bells of Aberdovey, Cambria

17 beautiful solo's for starters. Some happy, some sad, for beginners who like to make beautiful music.

Level: novice to advanced

From Harp to Harp, With Love. (English / Spanish / French) 
Added versions for harp and voice.

Six Easy South American Dances: 2 joropos, 2 galopas, carnavalito and bambuco;
Si Quedara Sin Ti (If I Ever Lost You) (also a 2nd version with lyrics in English & Spanish), Villavicencio (2nd version with lyrics), Zayante, Una Noche (A Night),
Las

Arranged for Flute & Harp Ensemble by Jane Groves. Parts supplied for 3 flutes & 2 harps but this flexible arrangement is suitable for any configuration of flute(s) and/or harp(s) Elementary - Intermediate level. Score + set of parts (Flutes 1 - 3, Alto Flute & Harps 1 - 2)

Arranged for Flute & Harp Ensemble by Jane Groves. Parts supplied for Flutes 1-3 + Harp but this flexible arrangement is suitable for any configuration of flute(s) and/or harp(s)

CD accompanying the book From Harp to Harp with Love en Latin American Harps History, Music and Techniques.

Arranged for Flute & Harp Ensemble by Jane Groves. Parts supplied for Solo Flute or Flutes 1-3, Alto Flute & Harps 1-2 but this flexible arrangement is suitable for any configuration of flute(s) and/or harp(s)

Whether compositions are written according to style and form, or consist of random chords, arpeggios or glissandos, it is possible to be harmonious and effective with the help of this publication. A 20-minute companion CD is recorded with the etudes as they are written in the book, and then in free-form improvisation. There are bass, melody and arpeggio patterns, and one page of suggested improvisational styles

Three American Traditionals: Aura Lee, Oh! Susanna and Cielito Lindo. The book contains 2 harp parts and a conductor part for every piece. 23 pages.

Aura Lee (also spelled as 'Aura Lea') is an American Civil War (1861-1865) song about a maiden. It was written by W.W. Fosdick (words) and George R. Poulton (music). The song has been sung and adapted in many ways. Most probably best known as Elvis's

Masumi Nagasawa teaches harp at the Maastricht Conservatory. In addition, she teaches at the music school in The Hague. She studied at the Maastricht Conservatory with the renowned harpist Phia Berghout, she followed her studies historical harp with Mara Galassi. She plays the modern concert harp, the single pedal harp, Irish harp and traditional Japanese harp (the KUGO). She won several prestigious awards and

Greek dances - Part 2. Part 1 can be found in Harpe Mundi 15: Frangosyriani. Some of these pieces would be expected to be for pedal harp, but Christoph has adjusted them so they can be played on the lever harp. However, you will have to work wit those levers a lot! In order to let the bass come out strongly enough, you need to use a good damping technique.

Titels: To tram to teleftéo,

Sonata in G - from Sonata No. 5 for flute & keyboard
Sonata in C - from Sonata No. 6 for flute & keyboard

By James Hook, arranged for Flute and Harp by Jane Groves. The harp part has been edited by Ben Creighton Griffiths

Teach Yourself To Play The Folk Harp is the most popular beginning book for people of all ages who want to learn to play the harp. This book teaches the student step by step how to play the harp. Each of the 12 lessons includes instructions, exercises, and folk and classical pieces using the new skills and techniques taught in the lesson. It is an excellent book for any student, regardless of

For pedal and lever harp! Beginner to intermediate level! Includes a play-along CD. Five new tunes, blues history, improvisation, wonderful and clever illustrations, hands on training, the four special scales! 108 pages! Everything you ever wanted to know about how to play the Blues on your PEDAL or LEVER HARP!

The Four Special Scales used by blues players. How to improvise your own solo. Special exercises

Sonata in G - from Sonata No. 3 for flute & keyboard
Sonata in C - from Sonata No. 4 for flute & keyboard

By James Hook, arranged for Flute and Harp by Jane Groves. The harp part has been edited by Ben Creighton Griffiths

Shady Grove features 14 pieces from Kim Robertson's Shady Grove CD, arranged by Kim for solo harp. It includes renditions of American folk songs, Stephen Foster tunes, and English and Irish ballads that migrated to the Southern Appalachians, as well as hymns and dances from Playford's 'The English Dancing Master'. Most of the pieces are in the key of C, or 1 or 2 sharps; 'I Will Arise' is in the key of D minor (1