Masumi Nagasawa teaches harp at the Maastricht Conservatory. In addition, she teaches at the music school in The Hague. She studied at the Maastricht Conservatory with the renowned harpist Phia Berghout, she followed her studies historical harp with Mara Galassi. She plays the modern concert harp, the single pedal harp, Irish harp and traditional Japanese harp (the KUGO). She won several prestigious awards and

This was composed in 1986 for Dr Basil Wilson, Archaeologist and one of the board of directors of the Institute of Irish Studies in Queen’s University, Belfast where I spent two inspiring, happy and productive years as a Junior Fellow (1984-86). I was a frequent visitor to Basil and wife Anna’s home for dinner and wonderful long evenings of debate on all aspects of Irish affairs. His enthusiasm

Traditionals, arranged for Flute and Harp by Jane Groves. The harp part has been edited by Ben Creighton Griffiths

Titles:
The Rising of the Sun, Bring Forth the Harp, She Must Be Mine, The King's Delight, The Bells of Aberdovey, Cambria

Arranged for Flute & Harp Ensemble by Jane Groves. Parts supplied for 3 flutes & 2 harps but this flexible arrangement is suitable for any configuration of flute(s) and/or harp(s) Elementary - Intermediate level. Score + set of parts (Flutes 1 - 3, Alto Flute & Harps 1 - 2)

Arranged for Flute & Harp Ensemble by Jane Groves. Parts supplied for Flutes 1-3 + Harp but this flexible arrangement is suitable for any configuration of flute(s) and/or harp(s)

Arranged for Flute & Harp Ensemble by Jane Groves. Parts supplied for Solo Flute or Flutes 1-3, Alto Flute & Harps 1-2 but this flexible arrangement is suitable for any configuration of flute(s) and/or harp(s)

Sonata in G - from Sonata No. 5 for flute & keyboard
Sonata in C - from Sonata No. 6 for flute & keyboard

By James Hook, arranged for Flute and Harp by Jane Groves. The harp part has been edited by Ben Creighton Griffiths

Sonata in G - from Sonata No. 3 for flute & keyboard
Sonata in C - from Sonata No. 4 for flute & keyboard

By James Hook, arranged for Flute and Harp by Jane Groves. The harp part has been edited by Ben Creighton Griffiths

Harper's Manual for Year 1 of training. This is a harper’s first tutor starting from simple melodies with one-chord accompaniments and progressing to easy polkas, slides and slip-jigs. These are the manuals for the Irish Harp College training system which teach you how to make your own music as well as to place well-known melodies on to the instrument, and to be creative and social in your music-making.

This book is a manual for the Adult Preliminary Course in the Irish Harp College oral training system. It is a supporting volume for live lessons with a teacher. This oral method of instruction is a structured approach to learning the Irish harp for students who do not come from the immersion environment of Irish traditional music. IT will teach you to be creative and to ‘participate’ in the

Sonata in G - from Sonata No. 1 for flute & keyboard
Sonata in C - from Sonata No. 2 for flute & keyboard

James Hook (1746-1827), composed over 2,000 songs as well as many stage works, cantatas, concertos and chamber pieces. His chamber music included a set of six sonata for flute and keyboard written around

Harper's Manual for Year 2 of training. This is the harpers’ manual for Year 2 of training featuring a wide range of music from marches to popular folk melodies to historical harp compositions, with some easy jigs, hornpipes and first slow airs. 

Tunes in the Level 2 Tutor include :
Princess Royal, John O'Connor, Planxty Hewlett, Carolan's Draught, Blind Mary,

Harper's Manual for Year 2 of training. This is the harpers’ manual for Year 2 of training featuring a wide range of music from marches to popular folk melodies to historical harp compositions, with some easy jigs, hornpipes and first slow airs. Technical exercises are from The Book of Chimes and The Book of Chordscapes.

Tunes in the Level 2 Tutor include :
Give Me Your

From Harp to Harp, With Love. (English / Spanish / French) 
Added versions for harp and voice.

Six Easy South American Dances: 2 joropos, 2 galopas, carnavalito and bambuco;
Si Quedara Sin Ti (If I Ever Lost You) (also a 2nd version with lyrics in English & Spanish), Villavicencio (2nd version with lyrics), Zayante, Una Noche (A Night),
Las

CD accompanying the book From Harp to Harp with Love en Latin American Harps History, Music and Techniques.

This book is a support manual for the Irish Harp College oral training system.                              

For the student:   It is a back-up to live lessons with a teacher

Whether compositions are written according to style and form, or consist of random chords, arpeggios or glissandos, it is possible to be harmonious and effective with the help of this publication. A 20-minute companion CD is recorded with the etudes as they are written in the book, and then in free-form improvisation. There are bass, melody and arpeggio patterns, and one page of suggested improvisational styles

Scores of all the pieces of the album that was released on november 1st 2020.

Titles: By Strangford Water, Bright New Morning, Leap of Faith, Fairwall Joel, Trip to London, Easter Snow, Lily White, Whelans and Janets Jigs, My Darling Bridgets Hand, Viking, Kyrie, Dance of the Water Sprites.

Composed in 1995 celebrating peace in Northern Ireland

BRIGHT NEW MORNING was originally composed as an ensemble piece for the IRISH HARP ORCHESTRA (formerly the Belfast Harp Orchestra) – a harp ensemble tutored and directed by Janet Harbison with up to 24 harp players performing in up to 8 parts.  This is the solo version of that