CD with all the titles in the book The Healer’s Way Companion vol. 2.

Highly meditative and healing harp music. Stella Benson works composing and performing music for those in need of healing. The music is a mix of original works by Stella Benson, and arrangements of hymns and chants, including works by Hildegaard von Bingen. The Music itself is free floating and soothing, containing no rhythm or meter. Excellent CD for prayer and meditation.

An unprecedented perspective on the healing nature of Western modes, The Gift of Healing Modes empowers the musician with seven clear and distinct scales each with their own unlimited shades of musical color. The emphases are on the feeling emoted by the music, and how to elicit the mood using the principles and science supporting healing modal theory. Musicians expand their intuitive skill as they recognize which

This guide is for anyone who wants to play live healing music to the ailing at the bedside with empowerment. Learn how, by manipulating the three major principles of music: rhythm, harmony and melody, music can effect the body in five basic ways, both physiological and psychological. This book illustrates what musical instruments are appropriate. You will learn how to assess the patients immediate needs and how to

CD with all the titles as can be found in the book The Healer’s Way Companion vol. 1.

Solo soothing harp music for those in pain. Medieval chant, ancient melodies and Celtic music create a serene and therapeutic audio-sensual experience. The non-metered, natural tones of the harp ebb and flow to bring about peace within. This music has helped those suffering from illness, injury, and life’s transitions involving physical and emotional and spiritual pain.

Eight beautiful pictures to color, 6 new songs and 2 favorites. Immerse yourself deeply into the fine details of these beautiful drawings. Drawing is meditative and healthy for you, It might ever "color" the way you play the music. 

Titles: Windows of Paris (a shorter version if this favorite), March of the Leprechauns, The Old Homestead, The Flowered Kimono, The Wooded Brook, The Dove, Cabrillo's

If you like the music of Frank Voltz, you will absolutely love this collection from William Mahan of some of the most beautiful melodies ever. Truly inspired, these compositions can be used for any type of situation: for yourself, for healing music, for background music, for recitals. The music is not difficult, but the LH does require some crossing over and under. True to the Italian flavor, some of the

While writing these new compositions for harp, Janne-Minke was inspired by the beautiful, calm piano music by Ludovico Einadi. 33 pgs.

Titles: Indian Summer, November, Midwinter, Afterglow, Springwaves, Lakeside.

18 new compositions by Janne-Minke Nijp, with drwaings by Demi van den Heuvel. 50 pages.

Titles: The Rose, Love song, Love Birds, Harp Waltz, Puppy, Little Lion, Classical Thoughts, lunamoth, Theme, A Walk, Tree, The Forest, Autumn, Waterfall, Scary, Waves, The Storm, Morning.

Start & Harp part 3. Series for young harp players.
An exciting journey through time with Charlotte and Anton. Can they stop the battle between B flat and F sharp?
With challenging solo pieces such as: In de troonzaal van Koning Fis (In the throne room of King Fis), High tea bij Baron Bes (High tea at Baron Bes), De achtervolging (The chase), Ontmoeting bij de muziekboom (Meeting at the music tree)

Medieval and Renaissance Songs and Dances.

During the Renaissance, there was a constant exchange of musical ideas across boundaries, as court musicians travelled around the continent in royal entourages. Royal chapels and courts employed foreign musicians — the English lutenist Dowland at the Danish court and Franco-Flemish lutenist Van Wilder working for Henry VIII — leading to further interaction,

This book is designed to provide information that will help you to create accompaniment patterns on the harp. Most of the examples in this book are in the key of C, but there is a section on transposition for those who sing in different keys. Covers simple patterns, the basics of self-accompaniment, theory concepts, chords, color notes, modes, and more. 

67 pgs. Spiral bound.

Indoor cover satin fabric for concert grand pedal harps from Salvi.

"VENEZOLANA for Five Pedal Harps" (Or harp ensemble)

To Phia Berghout (December 14, 1909 - March 22, 1993)

Dedicated to his friend, pedal harpist Phia Berghout, in 1991, it was premiered in 1992 and is now available for your pedal harp ensemble!

Premiered at the National Conference of the American Harp Society in San Diego, California, in 1992, this piece has

A method for young beginners. Join a musical journey on a pirate ship. Simple exercises and tasks complete the adventure. The cheerful illustrations are from Merel en Mirte Fellinger. This is part 2 from a three-part series. With a workbook, 89 pages.

Start & Harp part 3. Series for young harp players.

An exciting journey through time with Charlotte and Anton. Can they

This collection contains 3 original intermediate to upper intermediate level pieces for pedal harp. The pieces are fairly showy, using glissandos, lots of arpeggios, harmonics and rolled chords. Songs can be played separately or in one unit as a concert piece lasting approximately 8 1/2 minutes. The cello part is significantly challenging. Also available separately as harp solo. INTERMEDIATE PEDAL

A new method for beginning harp players full of creative assignments and with beautiful illustrations. Over a hundred pages of new songs, folk songs, theory and rhythm worksheets, games, prima vista reading exercises and flashcards for recognizing notes.
In addition to the textbook, it is also a workbook; starting with the cover that the student can color himself. A book for and by students.
All technical steps that a student will make in the first year are clearly named and explained and then covered in songs. There is a calm build-up in reading; from auditory, to relative and then to musical notation.
In addition, creative assignments are a common thread through the book, to stimulate the student in her or his exploration of the harp. Numerous making and DIY assignments, such as improvising and writing yourself, enable the student to build a unique and personal bond with the harp.