A beautiful harp solo by the Dutch composer Lex van Delden. 

Duo for flute and harp, composed for harpist Phia Berghout and flutist Hubert Barwahser. 

Written for harp ensemble Harppassion by Aimée van Delden. 

The piece has a playful and sweet character. With arpeggios, flageolets and tapping moments. It's been called Bittersweet because it stirred up a lot of emotion in Donna's husband, who recently lost a close friend. The piece was very reminiscent of him, because the piece is continuously full of small surprises. Just when you think you get it, it

Special Breton music, interpreted and arranged in a unique way by Clotilde Trouillaud. The arrangements approach the recording of her CD 'Solo', but her variations in the repetitions are always different and therefore not noted. Own variations are encouraged!

Titles: Fil à retordre, Puzzle, Decembre, Mara, Cordes liées, 323, Le bois tortu, Rideau!, Miroir.

Her harp playing is adventurous and both serious and playful and she creates, weaves, and dances on the entire range of her harp. Clotilde is a leading harpist and composer who masters her instrument. She has something to say and is not afraid to take many musical roads to do so. Simplicity, delicacy, calm, often danceable tunes, often surprising harmonies, melodic inventiveness.

Titles: Fil à

The Swan - from Carnaval des Animaux for pedal harp solo.

Rodgers & Hammerstein arr. B. Myrow.

Four page solo with stride bass, parallel thirds, playing with fingernail and more. Upper intermediate pedal harp solo and a great audience pleaser! The wonderful selections for pedal harp arranged by Beverly Myrow are all uplifting works that your audience will love!

A collection of Jewish melodies from around the Mediterranean and Celtic music from the British Isles, woven together to celebrate the unique role harp has played in folklore and music from both traditions. Intermediate level, harmonics, well-marked accidentals, guitar chords, keys of C, Bb, G, F, and D. The accompaniment is very "harpistic" in nature with nice arpeggiated chords and flowing lines. These songs can

Wonderful selection of Celtic, folk, and early music. A must-have volume for any folk harpist. Left hand gets very busy at times but arrangements are very interesting and full.

Titles: March of King Laois, Morgan Magan, Eleanor Plunkett, Arran Boat Song, Spagnoletta, Carolan's Dream, Lament, Lauda, Casey's Hornpipe, Bittersweet II, Give Me Your Hand, Skye Boat Song, Lauda to Sta. Maddalena, Separation of

12 familiar melodies from the folk tradition of the British Isles for two lever and/or pedal harps. The harmonies are lovely! Harp 1 carries melodic material and principal harmonies and can be played alone as a solo harp arrangement. Melodies have been arranged and placed in an order so that the entire book may be played as a continuous "suite" of music. Includes chord symbols, fingerings, and well-marked

A book in the Graded Recital Pieces series by Susann McDonald and Linda Wood. Volume 4. 

Titles: Sonatina, Two Guitars, Toccata (Sabre Dance)

A book in the Graded Recital Pieces series by Susann McDonald and Linda Wood. Volume 2.

Intermediate level. 11 pages.

Titles: : Processional, Interlude, Ballade, Serenade.

Kim recorded this arrangement on her "Highland Heart" CD. Jupiter is from Holst's suite, "The Planets." It is also known as "I Vow to Thee, My Country". 3 pages.

A book in the Graded Recital Pieces series by Susann McDonald and Linda Wood. Volume 3.

Russian Lullaby and Alpine Waltz fulfill the requirement for ABRSM Grade 3 List B. Intermediate level. 8 pages.

Titles: Russian Lullaby, Alpine Waltz, Koto in the Temple, Bagpipe Jig.

A book in the Graded Recital Pieces series by Susann McDonald and Linda Wood. Volume 5. This is a selection for the ABRSM grade 5 exam. Crystalis is a glissando study and Petite Suite is a very cute piece in the classical style. You will enjoy this book! 

Titles: Crystalis, Nocturne, Petite Suite.

A book in the Graded Recital Pieces series by Susann McDonald and Linda Wood. Volume 1.

The five volumes of Graded Recital Pieces contain delightful melodies that students are sure to enjoy. Many of the pieces feature arpeggios, glissandos, and other techniques for that real "harpy" sound. Volume 1 is the easiest, and the pieces get more advanced throughout this fine series. Each book is 7 to 12 pages with

For two harps (pedal or lever), fifteen elegant, stately melodies from the Renaissance and early Baroque periods. Adapted from popular dance tunes, keyboard works and lute songs of the 16th and early 17th centuries. Freely harmonized, they capture the flavor of the period. The "primo" harp part can stand alone as a solo arrangement, while the "secondo" harp part is designed to enhance and fill out the first part.