Toward the Sun, a duo for two harps, described by Andres Izmaylov as 'a little Jazzy Joke', was written for the composer and his young son, then ten years old, to play together. Delightful, witty and amusing for audience and performers alike, the two parts are well adapted for teacher or advanced student (Grades 6-7) playing with a younger student or less advanced pupil. The second harp part is well within

3 compositions for harp solo by Anne Vanschothorst. The amazing poetry is by Dutch poet Danny Danker. The entire book including all poems is in English. The original Dutch poems are included as well. 31 pages.

The three pieces in the set were written for Artemy Izmaylov, fourth generation harpist, and son of the composer, when he was eight or nine years old.

A Dream, the nocturne-like first movement, concentrates on arpeggios and a singing tone, whilst the second, Sad Waltz, has a slightly more difficult left hand, supporting a legato melody in the right hand. Both pieces are Grade 3 standard. The Toccata which

'Duo' is a love story and a dialogue in four scenes. The dramatis personae are A Man (played by the violin) and A Woman (played by the harp). The Meeting, initiated by the violin, develops into a flirtatious waltz and an awakening of tender love. Then follows Prayer a tender love-song with a beautiful violin melody over a rocking, hypnotic harp part. However, the course of true love never did run smooth and

A book with 5 new compositions for harp solo by the harpist and composer Anne Vanschothorst.

Anne Vanschothorst composes music for films en documentaries, in the tradition of Phillip Glass and Erik Satie.
Besides that she has thousands of followers of her video's of her compositions on You Tube. 

Titles:
Just Passing By, A Bird Came

This work was written for the USA International Harp Competition 2012 Composition Contest, Bloomington, Indiana, USA and, incorporating authentic North American Indian tunes as it does, inevitably, it could only be called Indiana. However, Indiana was actually composed on the other side of the world in a small village called Angen-Lakhta in Karelia, Northwestern Russia, 450 Km (300 miles) north of St. Petersburg,

Saint Petersburg-Vienna Concerto-Waltz celebrates the link, via the Waltz, between two of the greatest musical cities of the nineteenth century.

The Viennese waltz is the oldest of all ballroom dances. The charm, elegance, vivacity and sophistication of this music mirrored the glitter and the joie de vivre of old Vienna, and by the

Preludes nr 11 to 20 for intermediate level. 12 pages.

Famous Spanish music, often performed in concerts. Compositions by Enrique Granados. Arranged for harp by Susann McDonald and Linda Wood Rollo. Advanced level. 10 pages.

Titles: Spanish Dance no. 2 - Oriental, no. 5 Andaluza (Playara), no. 6 - Jota (Rondella Argonesa), Escenas Romantica no. 6 - Epilogo.

Inspired on a quotation by Lalla Rookh.

"Motto: By the bliss to meet,
And the pain to part"

5 pages.

This contemporary work from Bernard Andres has a unique, distinctive sound largely owing to the fact that Andres spent some years on the island of Bali and picked up the flavor of Balinese music in his own works. Approachable for the advanced intermediate pedal harpist. Fun and challenging, it's good for someone looking to add variety to their repertoire, a terrific recital piece. Pedal changes are marked. 9 pages.

Harp 3 part. Dromen (dreams) is a children's show for young harp ensemble and narrator. Delicate Misha is looking for the recipe for dreams, as his grandmother always made. Together with his sister, he makes an adventurous journey: he enters the time savers village, meet the mad knight Bisbigliando and stands face to face with shadow spirits. But will he find the recipe to make dreams too?

Each volume of these “Pieces for Small Harp” contains ten modern compositions for diatonic harp in C with 20 strings.

Of course, you can play the pieces on any harp with 20 or more strings.

The level of difficulty is beginner to advanced beginner.

A video of each piece is available on YouTube.

Titles: Despair, A Cottage Garden, The Rippling Water, The Water Mill, In

This well written and wonderfully illustrated book is designed as an easy-to-follow, step-by-step guide to playing the harp for those who have completed Play the Harp - Beautifully! Level 2, or are quite familiar with playing the harp already. LOWER INTERMEDIATE TO INTERMEDIATE, ALL HARPS.

Volume three includes chord theory, major and minor chords and intervals, introductions and interludes, how to

Composition for multi-level-harpensemble with storysteller, based on an old Irish legend. Harp part 2.

A journey through mysterious caves in 18 pieces from 2012 for harp ensemble. Harp 1 and 2 are suitable for folk harp, harp 3 for folk or pedal harp.

Harp 3 part

A Martine, in 3 flats, is one of Bernard Andres' best-loved pieces. Normally played on pedal harp, it works great on lever as well, as there are no lever changes. For advanced beginners, the techniques include xylophonic sounds, playing with nails, and playing near the soundboard. It is a gentle, romantic piece. 4 pages.

A book in the Graded Recital Pieces series by Susann McDonald and Linda Wood. Volume 3.

Russian Lullaby and Alpine Waltz fulfill the requirement for ABRSM Grade 3 List B. Intermediate level. 8 pages.

Titles: Russian Lullaby, Alpine Waltz, Koto in the Temple, Bagpipe Jig.

Level: Higher Intermediary players. Part 3 of the Carolan's collection.

Titles: Bumper Squire Jones, Carolan's Draught, Madge Malone, Planxty Burke, Planxty Brown, Carolan's Welcome, Sir Festus Burke, Carolan's Receipt, Madam Maxwell, Mrs Keel, Mervyn Pratt, Planxty Hewlett, Captain Sudley / Carolan's Dowry, Mrs Crofton, Fanny Power, Eleanor Plunkett, Lament for Owen Roe O'Neill, Blind Mary, Sir Charles

Medieval and Renaissance Songs and Dances.

During the Renaissance, there was a constant exchange of musical ideas across boundaries, as court musicians travelled around the continent in royal entourages. Royal chapels and courts employed foreign musicians — the English lutenist Dowland at the Danish court and Franco-Flemish lutenist Van Wilder working for Henry VIII — leading to further interaction,