A 2011 piece by Meg Robinson. Three pages, key of C in 6/8 time. Lots of patterns and almost parallel 6ths. LH plays a drone of a single note throughout. Lilting and mesmerizing at the same time. Can be played at a variety of tempos, although marked dotted quarter note equals 70. The piece incorporates accents, and pdlt.

Premiered April 12. 2013.  Seven Scenes for solo harp and dancers.  A meaty piece, very enjoyable! This is the PDF download version. A significant work in 7 movements for pedal harp.  22 pages.

NOTE! THIS IS A PDF VERSION OF THE BOOK.
The PDF is sent by email on working days.

This book can be used simply as a repertoire book, but it is also intended as an instructional book on improvisation in Middle Eastern styles of music. It includes traditional Lebanese, Turkish, Greek, Armenian, Arabic, Spanish Flamenco, and Ladino/Sephardic tunes. Each has a distinct flavor of the Middle East, whether

This four-page tune really makes you feel like you're sailing! In the key of G with some syncopation, this is a series of short melodic and rhythmic motifs. Lower intermediate level. The very last note is a low G, other than that the piece can be played on a 26-string harp with C below middle C as the lowest note.

NOTE! THIS IS A PDF VERSION OF THE BOOK.
The PDF is sent by email on working days.

A new book in 2020 to bring beauty and comfort during these trying times! Here is a lovely collection of Celtic airs and hymns from Kim Robertson arranged for advanced-beginning, to intermediate solo harp. The key signatures range from up to 2 sharps, and 1 flat. The two page arrangements are easy to read with a simpler

A big sound for little harps - for 26-string harps and more.  Another Meg Robinson original for harp and voice.  Great repertoire for coffee shop performances!  This is a sweet tune with a lovely message. The mp3 file is provided by Meg Robinson, performed by her! The harp part is easy enough for you to be able to multi-task (sing along)! 6 pages.

NOTE! THIS IS A PDF VERSION OF THE BOOK.
The PDF is sent by email on working days.

Five little pieces for celtic harp by Michael Versteegh.

The following titles are in this edition: Bretagne; Dance; De Elfentuin; Cancion; The Dark Forest.

Level: Early-intermediate harp. No lever changes.

Meg Robinson’s Tango Strings is an original solo for lever or pedal harp. The tango rhythm pattern weaves throughout this syncopated piece, alternating between the right and left hands. You’ll enjoy playing this!

A charming and lilting melody that you'll be humming as you go. Key of D and in ¾, starts in the upper register, middle section has LH rolled chords, and the end comes back to the upper register like the beginning. Fingerings and brackets marked. Lower intermediate and relaxing. Can be played on a 26-string harp with one easy alteration. 3 pgs.

Arranged for 26-string harp and in the key of E minor, this arrangement of the famous and greatly requested tune is like a theme and variations. It is well edited with some fingerings, brackets and dynamic markings. The theme is in ¾ time and is played through one time. The 5 variations that follow are in more of a driving 6/8 time. Depending on how fast you take this, it can easily fill up a nice segment

A collection of easy yet beautiful solos for harp. Notes are easy to read and the lyric lines are really lovely. All the pieces are 3 - 5 pages in length, and will keep the interest of the adult beginner nicely. Advanced players will enjoy sight reading these as background music. Plenty of fingerings and brackets for placing! Can be played on a 26-string harp with a few easy alterations. Titles: "Ballerina",

This is a beautiful, relaxed almost pastorale 6/8 piece in the key of F. Flowing and calming, great to play or listen to. Lower intermediate level, can easily be played on a 23 or 26-string harp, sounds lovely on the larger harps, too. 4 pages.

For lever or pedal harp, in the key of G with no accidentals. Mostly arpeggios, this is the type of music your audience will recognize as perfect for the harp. It is also a good teaching piece, and is sophisticated enough to be included in a professional harpist's repertoire. Includes some simple, easy-to-read finger positions. This elegant melody will flow from your harp strings like silk. The piece can be played

This 'book' is published entirely on a double-CD, which contains the story and the sheet music in a PDF-file, as well as the soundtracks of the music. The story is in German.

A winter fairy tale for adults and children from about 7 years, in which the narrator Jack W. Franz tells how the first autumn and winter was upon the earth, after hundreds of years of just spring and summer.

The Jack Frost

By Meg Robinson - here is a "solo-ette" - it can be played as a harp solo, and it also has a lovely flute part to play with a friend! In a lilting 6/8 meter and in the key of Eb, it is not difficult.  There are a few open 5ths, but not majorly large chords.  The RH keeps moving with eighths, dotted eighths followed by 16ths, and a few quarter notes. There are no accidentals. A very uplifting melody that

This arrangement for 4 parts harp ensemble sounds like a jazzy variation / improvisation on the well-known theme of 'House of the Rising Sun'. The piece sounds lik it has 3 parts, but part 1 is split into "Harp 1A" and "Harp 1B". The melody is niftily passed back and forth between the top two parts throughout the piece, effectively making them both Harp 1.

Musical images for 1 or 2 harps. Exciting musical images that make you want to play them and brim them to life. Over well-known bass-patterns, the melody moves on a wide field between simple, familiar paths and unusual  unknown passages. All the pieces can be played as a solo or duet. Intermediate to advanced level.

Titles: Stimmen, Der Pilger, Träumerei, Die Wunderlampe, Für

Toward the Sun, a duo for two harps, described by Andres Izmaylov as 'a little Jazzy Joke', was written for the composer and his young son, then ten years old, to play together. Delightful, witty and amusing for audience and performers alike, the two parts are well adapted for teacher or advanced student (Grades 6-7) playing with a younger student or less advanced pupil. The second harp part is well within