A marvelous transcription for solo harp of Bach’s first three keyboard Partitas, with fingerings, suggested dynamics and an explanation of the ornaments to be used provided by a celebrated harpist.

Based on traditional melodies from Wales, France and England, these settings explore the spirit of Christmas, embracing feelings of peace, contemplation, joy and jubilation. The carols can be performed separately or as a suite.

Intermediate Level. 16 pages.

Titles:
On the Road to Bethlehem, The Child is Born in Bethlehem, I Saw Three Ships

The Three Ravens by Suzanne Guldimann includes 34 ballads from the 16th to the 19th centuries. Lyrics are included, along with historical notes on the pieces.

Although Suzanne Guldimann has arranged these songs for lap harps, they are fun to play on any size harp. The range of the music is 2½ octaves, from a C up to a G, and can be played on most lap harps, whether their range is C to

Classics At Your Fingertips Book 3
(Beginners-Intermediate)

J.S. Bach - Minuet I, J.S. Bach - Minuet II, Julieanne Rabens - Nino Precioso, Ludwig van Beethoven - Fur Elise, Traditional Shaker - Love is Little, Gabriel Faure - Pavane, Julianne Rabens - Variations on Greensleeves, Theme: Rolled Triads, Variation 1: Replacing 1 2 3, Variation 2: Hand Crossing, Julieanne Rabens: The Storyteller, Franz

A book in the Graded Recital Pieces series by Susann McDonald and Linda Wood. Volume 1.

The five volumes of Graded Recital Pieces contain delightful melodies that students are sure to enjoy. Many of the pieces feature arpeggios, glissandos, and other techniques for that real "harpy" sound. Volume 1 is the easiest, and the pieces get more advanced throughout this fine series. Each book is 7 to 12 pages with

A book in the Graded Recital Pieces series by Susann McDonald and Linda Wood. Volume 5. This is a selection for the ABRSM grade 5 exam. Crystalis is a glissando study and Petite Suite is a very cute piece in the classical style. You will enjoy this book! 

Titles: Crystalis, Nocturne, Petite Suite.

This is a transcription of the Mozart concerto for flute and harp arranged for just the two instruments. It leaves all the soli sections intact, but also includes a transcription of all the orchestral passages. The arranger also took the traditional approach of including original cadenzas in the style of the period.

Composition for multi-level-harp ensemble. Harp part 3.

Two enchanting harp solo pieces from the famous Harry Potter series.

Titles:
Fluffy's Harp, Hedwig's Theme 

Duets for small harp and flute. Playable on 20 strings harps with a range from G3 to E6 and a concert flute in C or any other C-instrument. The flute parts are arranged by Ed Bradburn. 

Titles: Changes, In the Woods, The Rippling Water, The Pond, Seaside, Golden Morning, Frostflowers.

Menken & Ashman arr. B. Myrow.

Beautiful arrangement of this lovely tune by Julliard trained Beverly Myrow. Mrs. Myrow is an experienced harpist of many many years and her harmonies reflect an impressive knowledge of modern and jazzy harmonies which will make this duet a joy to perform. Sight readable by the intermediate to advanced pedal harpist.

Fairly straight-forward arrangements of Rumanian Dances. The only exception is a counterpoint in Danse du Chale in a style that is consistent with the rest. The five pieces included here are not very difficult, and can be quickly added to your repertoire. Evening in the Village is very delicate and transparent, and is quite lovely. Pedal notations (not very tricky) have not been included except for the

An entrácte for orcherstra in the famous opera Carmen by Bizet. Arranged for 3 harps by Susan Bennett Brady. Score of 4 pages and 3 separate parts of each 2 pages.

A suite of six easy harp solos playable on lever or concert harp suitable for grade 1-3 standard. Part of the Trinity Exam Syllabus.

Titles: Camel Train, The Happy Frog, Butterfly, Little Kitten Come and Play, The Frolicking Lambs, Seagull.

More compositions from the 12th century to the present, arranged for lever harp. Lower intermediate to moderately advanced. THis book has been a standard for many years.  The repertoire is excellent and the book is used by all levels of harpists for many occasions. Intermediate to advanced. 38pages.

Table of Contents:
Diferencias sobre (La Folia) La Cavalleria de Nápoles

A selection of pieces from the Microjazz Collection by composer Christopher Norton, originally written for piano. Arranged for folk harp by world-renowned Welsh harpist Elinor Bennett and Scottish clarsach players Elinor Evans and Fiona Rutherford. Level: intermediate to advanced.

The Microjazz Collection has been a favorite with teachers for many years because it contains so many different styles. The

Deborah's most requested song in 7 versions. From very simple to intermediate. Including 3 versions for solo harp and 4 versions for harp and voice.

Solo Harp in G (very easy, easy and intermediate)
Harp and vocal mezzo/alto (easy and intermediate)
Harp and vocal soprano/tenor (easy and intermediate)

You can hear this piece on her CD and DVD Invention and Alchemy.

10 classical pieces arranged for lever harp by Odette Le Dentu and Dominig Bouchaud. Several lever changes occur, but they are well marked in the music. Difficulty: intermediate. 12 pages.

The following pieces are in the book: Valse En Fa (Mozart), Romance (Kotzeluch), Sicilienne (Kotzeluch), Sonatine (Beethoven), Menuet En Rondo (Rameau), Le Garcon Courageux (Gurlitt), Rondo (Czerny), Divertissement

A selection of pieces from the Microjazz Collection by composer Christopher Norton, originally written for piano. Arranged for folk harp by world-renowned Welsh harpist Elinor Bennett and Scottish clarsach players Elinor Evans and Fiona Rutherford. Level: elementary to intermediate.

The Microjazz Collection has been a favorite with teachers for many years because it contains so many different styles. The