12 Scottish tunes for the small harp composed or arranged by Isobel Mieras. Intermediate level. 16 pages.

Contents: The Wind that shakes the Barley (Nice version of this well-known reel because of the "lift" given to the tune by the syncopation in the first and third bars), Low down in the Broom, Major Graham of Inchbrakie, The Fall of Foyers Eas na Smuid, Craigie Waltz, Ruairi Dubh, An Cuala sibh mar

Toward the Sun, a duo for two harps, described by Andres Izmaylov as 'a little Jazzy Joke', was written for the composer and his young son, then ten years old, to play together. Delightful, witty and amusing for audience and performers alike, the two parts are well adapted for teacher or advanced student (Grades 6-7) playing with a younger student or less advanced pupil. The second harp part is well within

This timeless piano classic has been put into a wonderful arrangement for two pedal harps, two lever harps, pedal harp solo and lever harp solo, as well as a full "generic" duet score for reference purposes only. On the lever harp parts, a few of the chromatic passages have been modified in order to minimize excessive lever movements. However, by sharing of lever changes, most of the customary harmonies have been

Modern music with an early twist, based on poems by different American poets. Carol Wood is a harpist, composer, and Professor Emerita of Medieval Literature at McNeese State University in Lake Charles, Louisiana, where she taught for almost thirty years. Her music is mystical, lyrical, modern and ancient all in one. This music can be used for performances or personal enjoyment. All music written for lever harp.

Another enchanting work by Rhett Barnwell.

Sensitive music, based on a poem by Alfred, Lord Tennyson

The titles refer to eight Celtic Holidays, some very old, some more recent. 19 pages.

Imbolc: Invocation to Brigid, Ostara: The Spring Equinox, Beltaine: Little Goats, Midsummer's Eve: Fireflies, Danse for Lughnasadh, Mabon: The Autumns Equinox, Samhain: The Chinning Veil, The Holly King.

Maeve was inspired by the 1923 poem "The Harpweaver" by the American poet Edna St. Vincent Millay. According to Maeve, this story is mainly about the power of maternal love and the symbiotic relationship between instrument and player.

This collection of arrangements and transcripts from the 2020 album of the same name aims to expand your world of music and deepen your connection to our beautiful

A collection of seventeen of Beth's favorite Nordic songs, ballads and dance melodies, for beginner to advanced intermediate lever harpers. Scandinavian music reflects a rich tradition dating back to the Viking times, with ballads, songs, song-dances, couple-dances, and set-dances. Folkdance and music are a large part of everyday life in parts of Scandinavia. She has chosen favorite songs and dances that adapt

I wrote this piece as part of a larger commission by Music Generation Laois, in Ireland, for a group of 37 harpers. The composition was called ‘White Horses’ and dedicated to the feminine strength of the young harpers in the orchestra in an analogy with the fluid yet powerful waves that crashed on the shore of the beach in Portobello where I grew up. I’ve always loved being on or near the ocean and this tune

The piece is in the key of f minor and is based on the devr-i hindi usul, a 7 /8 rhythmic pattern grouped as (3+2+2). While the key of the piece is not based on one of the unique scales Turkish makams use, the rhythmic structure is undoubtedly characteristic of Turkish music.
The piece features a theme which functions as a ritornello, or teslim as it is referred to in Turkish music, which alternates with

"Music is a blessing and a joy that I feel should be shared" writes Mary Lloyd in the preface of her book of thirteen original contemplative pieces for lever harp. These pieces are fairly easy to play, and almost all are playable on the 22-string lap harp. All music is in either the keys of C, G, or F. This book also contains three original poems by Mary Lloyd as well as lyrics for four songs. 33

CD with all the titles as can be found in the book The Healer’s Way Companion vol. 1.

Solo soothing harp music for those in pain. Medieval chant, ancient melodies and Celtic music create a serene and therapeutic audio-sensual experience. The non-metered, natural tones of the harp ebb and flow to bring about peace within. This music has helped those suffering from illness, injury, and life’s transitions involving physical and emotional and spiritual pain.

At the River - Four Sacred Pieces - is a collection of four hymns for solo lever or pedal harp, all skillfully arranged by Sunita Staneslow in her unique and accessible style. Written while staying in an old stone house on the sea in the Shetland Islands of Scotland.

Titles: Shall We Gather at the River, Deep River, When Peace Like a River, Down in the River to Pray.

A beautiful and compelling piece. For all harps, presented in both D and Eb. No lever changes, not hard.

Claude Debussy's Clair de Lune from his piano work Suite Bergamasque from 1905 is one of the most well-known classical works by the general public.

The book contains a pedal harp solo, lever harp solo, an instrumental part for flute or violin and an accompanying harp part for pedal harp and an accompanying harp part for lever harp.

Debussy's original Clair de Lune is written in the key of

CD with all the titles in the book The Healer’s Way Companion vol. 2.

Highly meditative and healing harp music. Stella Benson works composing and performing music for those in need of healing. The music is a mix of original works by Stella Benson, and arrangements of hymns and chants, including works by Hildegaard von Bingen. The Music itself is free floating and soothing, containing no rhythm or meter. Excellent CD for prayer and meditation.