The fourth book in the Harp Olympics Series, Stage III, introduces the student to four-finger rolled chords, four-finger pivots, arpeggio cross-unders, as well as basic pedal technique, etouffes, and trills. Students advance in harmonics, placing, and sliding. Many scales are included to enhance the student's playing ability. In the Games & Drills section, exercises boost the student's understanding of major & minor triads and scales, inversions and music terms and symbols. Primary chord progressions are introduced and the student improves in sight-reading.

Die philosophische Musik der reisenden Harfners.

A classical piece with four variations on a theme.

The final book in the Harp Olympics Series, Stage IV, includes more technical studies than the previous volumes and the student should expect to stay with this book a little longer than the others. In Stage IV, the student studies advanced four-finger arpeggios and chords, directional placing, trills, glissandi and scales, harmonics, and etouffes. In the Games and Drills section, students study complex key signatures, chords, scales, and rhythms. Stage IV also includes a lesson in pedal technique with practice pieces. The Solos section includes some pieces requiring pedals, which are not suitable for lever harp.

The second book in the Harp Olympics Series, Stage I, is designed for the beginning harpist with basic note-reading and rhythmic skills.

Professional shipping trunk suitable for semi-grand and concert grand pedalharps.

A new method for beginning harp players full of creative assignments and with beautiful illustrations. Over a hundred pages of new songs, folk songs, theory and rhythm worksheets, games, prima vista reading exercises and flashcards for recognizing notes.
In addition to the textbook, it is also a workbook; starting with the cover that the student can color himself. A book for and by students.
All technical steps that a student will make in the first year are clearly named and explained and then covered in songs. There is a calm build-up in reading; from auditory, to relative and then to musical notation.
In addition, creative assignments are a common thread through the book, to stimulate the student in her or his exploration of the harp. Numerous making and DIY assignments, such as improvising and writing yourself, enable the student to build a unique and personal bond with the harp.

A new colourful teaching method for Celtic Harp. A well illustrated book that is very attractive to children. With simple exercises and corresponding little pieces, to learn a good basic technique. It is possible to learn the Celtic Harp at an early age (at 7 years, sometimes even earlier), and this book should be good fun and yet be efficient. Explanations about technique, repertoire, creativeness etc. have

Stage II is the third book in the Harp Olympics Series. Material introduced in this book includes: three-finger rolled chords, advanced turn-around glissandi, three-finger inversions, sliding and three and four-finger arpeggios. In Games and Drills, students progress in sight-reading,improvisation and dynamic expression, and increase their vocabulary of music symbols and terms. Ties and slurs are introduced, as well as transposing.

Suzanne Guldimann has researched and arranged 23 pieces of Elizabethan and Jacobean music that are believed to have originally accompanied the songs in Shakespeare's plays. The collection includes popular songs of the time that are quoted in Shakespeare's works as well as pieces thought to have been composed specifically for the plays.

All of the pieces in this collection can be performed on a harp with

These ensemble arrangements were written over a 25-year period for harp students who studied both private and group lessons with Muckle. 158 pages. 8 duets, 1 trio, 3 quartets, 1 sextet, 1 voice/harp duet, 1 flute/harp/piano trio.

Playing together is an excellent way to develop listening skills. Ensemble harpists learn by playing together to keep a steady tempo, how to ease into a relaxed tempo, how to

In HarpHandig! you learn step by step to play the harp and you gain insight into music. In addition to the basic techniques of the harp playing, you will learn everything about the musical language: the musical notation, rhythm reading and various other general musical information. The book is not only a workbook, but also a useful reference book.

My own first steps into the beautiful world of harp music were taken on a very basic harp model with just 20 strings. As a professional musician, I really missed having some nice and easy sheet music for diatonic harps without levers. I wanted to fill this gap with my 'Pieces for Small Harp'.

Accessible melodies in the right hand with an accompaniment featuring simple chord progressions in the left hand

The term "therapy harp" is used to describe any small harp that is suitable for playing for therapeutic purposes for yourself or others. Laurie Riley’s book, Play the Therapy Harp is a combination of many modes of the beginning harp experience. It gives the person who is curious about the harp, or just starting, a taste of many basics. It is a reference book for basic music theory, it has several very good

This book is a manual for the Adult Preliminary Course in the Irish Harp College oral training system. It is a supporting volume for live lessons with a teacher. This oral method of instruction is a structured approach to learning the Irish harp for students who do not come from the immersion environment of Irish traditional music. IT will teach you to be creative and to ‘participate’ in the

The Harp-E is a light, sturdy, compact harp with 24 high tension Silkgut strings. This harp is designed for carefree use by all age groups due to its sturdy levers, soundboard and wooden exoskeleton that safely protects the fragile electronics inside. The handy included stand is designed so that the Harp-E can be easily snapped into one of 3 height settings, making it easy to adjust the optimal playing position.

Een selectie van stukken uit de Microjazz Collectie van de componist Christopher Norton, origineel geschreven voor piano. Gearrangeerd voor pedaalharp door de wereldberoemde harpiste Savourna Stevenson. De stukken in dit boek hebben het niveau "elementary to intermediate".

De Microjazz Collection is al vele jaren favoriet bij leraren omdat het zoveel verschillende stijlen bevat. De melodieën zijn