This is a transcription of the Mozart concerto for flute and harp arranged for just the two instruments. It leaves all the soli sections intact, but also includes a transcription of all the orchestral passages. The arranger also took the traditional approach of including original cadenzas in the style of the period.

A selection of pieces from the Microjazz Collection by composer Christopher Norton, originally written for piano. Arranged for folk harp by world-renowned Welsh harpist Elinor Bennett and Scottish clarsach players Elinor Evans and Fiona Rutherford. Level: intermediate to advanced.

The Microjazz Collection has been a favorite with teachers for many years because it contains so many different styles. The

A selection of pieces from the Microjazz Collection by composer Christopher Norton, originally written for piano. Arranged for folk harp by world-renowned Welsh harpist Elinor Bennett and Scottish clarsach players Elinor Evans and Fiona Rutherford. Level: elementary to intermediate.

The Microjazz Collection has been a favorite with teachers for many years because it contains so many different styles. The

Famous Music For The Harp. Volume 9 - Another visit to the Opera.

Well-known tunes from the world of opera spanning three centuries. With highlights from operas of some of the major operatic composers, such as Mozart, Verdi and Puccini, as well as operatic delights by some lesser known composers.

Titles: Vissi d'arte (Puccini - Tosca), Voi, che sapete (Mozart - Figaro), Humming Chorus

Composition for multi-level-harpensemble with storysteller, based on an old Irish legend. Harp part 2.

A journey through mysterious caves in 18 pieces from 2012 for harp ensemble. Harp 1 and 2 are suitable for folk harp, harp 3 for folk or pedal harp.

Harp 3 part

This hauntingly beautiful three-part harp ensemble was commissioned for the opening of a new 2000-seat concert facility, Strathmore Music Hall, in Bethesda, Maryland. Dance of the Harps is presented with an underlying 3/4 accompaniment of swaying rhythm. The melody is shared between the first and second parts, while the third part provides underlying rhythm. The melody develops and expands and is followed by a

This wonderful book contains a variety of songs and dances originally written in the the twelfth through to the sixteenth centuries which have been arranged for the harp. The majority of the pieces have been drawn from the medieval period, and often existed in their original form as melody line only. All of the pieces in this book are playable on the folk harp. A few do have accidentals which require lever

A book in the Graded Recital Pieces series by Susann McDonald and Linda Wood. Volume 3.

Russian Lullaby and Alpine Waltz fulfill the requirement for ABRSM Grade 3 List B. Intermediate level. 8 pages.

Titles: Russian Lullaby, Alpine Waltz, Koto in the Temple, Bagpipe Jig.

Level: Higher Intermediary players. Part 3 of the Carolan's collection.

Titles: Bumper Squire Jones, Carolan's Draught, Madge Malone, Planxty Burke, Planxty Brown, Carolan's Welcome, Sir Festus Burke, Carolan's Receipt, Madam Maxwell, Mrs Keel, Mervyn Pratt, Planxty Hewlett, Captain Sudley / Carolan's Dowry, Mrs Crofton, Fanny Power, Eleanor Plunkett, Lament for Owen Roe O'Neill, Blind Mary, Sir Charles

Medieval and Renaissance Songs and Dances.

During the Renaissance, there was a constant exchange of musical ideas across boundaries, as court musicians travelled around the continent in royal entourages. Royal chapels and courts employed foreign musicians — the English lutenist Dowland at the Danish court and Franco-Flemish lutenist Van Wilder working for Henry VIII — leading to further interaction,

Handel for the Harp is a new collection of some of George Frideric Handel's most popular and requested pieces, made accessible for lever or pedal harp by Rhett Barnwell. This collection is invaluable for weddings, worship and concert use, as it contains pieces such as the "Air" and "Hornpipe" from the Water Music, the famous "Largo" from Xerxes (in two versions), two selections from the Messiah, and more. There

The fourth book in the Harp Olympics Series, Stage III, introduces the student to four-finger rolled chords, four-finger pivots, arpeggio cross-unders, as well as basic pedal technique, etouffes, and trills. Students advance in harmonics, placing, and sliding. Many scales are included to enhance the student's playing ability. In the Games & Drills section, exercises boost the student's understanding of major & minor triads and scales, inversions and music terms and symbols. Primary chord progressions are introduced and the student improves in sight-reading.

A method for young beginners. Join a musical journey on a pirate ship. Simple exercises and tasks complete the adventure. The cheerful illustrations are from Merel en Mirte Fellinger. This is part 2 from a three-part series. With a workbook, 89 pages.

Start & Harp part 3. Series for young harp players.

An exciting journey through time with Charlotte and Anton. Can they

Composition for multi-level-harp ensemble. Harp part 3.

CUMBIA VERDE for 2, 3 or 4 Harps or Harp Ensemble. Can be played with LEVER or PEDAL harps. Harp 1 and 2: Intermediate level. Harp 3 and 4: Easy level.

Invited by the Dutch Host Committee of the Tenth World harp Congress, Alfredo composed this concert piece with its main section in the rhythmic style of "cumbia," the national Dance of Colombia, South America. Percussive effects on the soundboards in some

Special edition for 20-string harp

These pieces, with the theme of the ened of day, can be played on 20-string harps.
The level goes from easy to intermediate.

Titles:

At the End of the Day, After Silence, Blue Hours, Evening Lights, Dreamcatcher, Nachtmahr, Sleepwalker, Nachttanz, Stargazing, Evening Prayer.

Sonata in G - from Sonata No. 5 for flute & keyboard
Sonata in C - from Sonata No. 6 for flute & keyboard

By James Hook, arranged for Flute and Harp by Jane Groves. The harp part has been edited by Ben Creighton Griffiths

This wonderful book contains more than 20 popular dances and airs of the Renaissance period, arranged for the harp by Deborah Friou. Most of the pieces were written in the 1500's and were originally intended for keyboard, lute, or voice. They were written by well-known composers of the time such as Morely, Byrd, and Dowland. The pieces vary in difficulty from easy intermediate to advanced and include fingerings.