Harp Olympics Preliminary Round. Designed for the beginning harpist with no previous musical training. Solos include twenty original compositions by Susann McDonald and Linda Wood, with the exception of Frere Jacques.

'De Onbespeelbare Harp' gaat over een keizer die uit een oude boom een harp laat maken. Met het omhakken van de boom wordt echter een rode draak wakker gemaakt die vervolgens wegvliegt. Zodra de harp klaar is worden de beste spelers van het keizerrijk uitgenodigd om erop te spelen, maar niemand slaagt erin de harp te laten klinken. Tot er op een dag een man in een rode mantel verschijnt...

De muziek is

'De Onbespeelbare Harp' gaat over een keizer die uit een oude boom een harp laat maken. Met het omhakken van de boom wordt echter een rode draak wakker gemaakt die vervolgens wegvliegt. Zodra de harp klaar is worden de beste spelers van het keizerrijk uitgenodigd om erop te spelen, maar niemand slaagt erin de harp te laten klinken. Tot er op een dag een man in een rode mantel verschijnt...

De muziek is

This comprehensive book of excellent Scottish tunes includes 70 arrangements by the following artists, together with extensive liner notes on each tune: Cheyenne Brown, Cynthia Cathcart, Nancy Bick Clark, Judith Peacock Cummings, Dominique Dodge, Rita Hamilton, Corrina Hewat, Ann Heymann, Nancy Hurrell, William Jackson, Alison Kinnaird, Sharon Knowles, Catriona McKay, Jo Morrison, Jennifer Pratt-Walter, Mary

These ensemble arrangements were written over a 25-year period for harp students who studied both private and group lessons with Muckle. 158 pages. 8 duets, 1 trio, 3 quartets, 1 sextet, 1 voice/harp duet, 1 flute/harp/piano trio.

Playing together is an excellent way to develop listening skills. Ensemble harpists learn by playing together to keep a steady tempo, how to ease into a relaxed tempo, how to

In HarpHandig! you learn step by step to play the harp and you gain insight into music. In addition to the basic techniques of the harp playing, you will learn everything about the musical language: the musical notation, rhythm reading and various other general musical information. The book is not only a workbook, but also a useful reference book.

The Harp-E is a light, sturdy, compact harp with 24 high tension Silkgut strings. This harp is designed for carefree use by all age groups due to its sturdy levers, soundboard and wooden exoskeleton that safely protects the fragile electronics inside. The handy included stand is designed so that the Harp-E can be easily snapped into one of 3 height settings, making it easy to adjust the optimal playing position.

From Harp to Harp, With Love. (English / Spanish / French) 
Added versions for harp and voice.

Six Easy South American Dances: 2 joropos, 2 galopas, carnavalito and bambuco;
Si Quedara Sin Ti (If I Ever Lost You) (also a 2nd version with lyrics in English & Spanish), Villavicencio (2nd version with lyrics), Zayante, Una Noche (A Night),
Las

Suzanne Guldimann has researched and arranged 23 pieces of Elizabethan and Jacobean music that are believed to have originally accompanied the songs in Shakespeare's plays. The collection includes popular songs of the time that are quoted in Shakespeare's works as well as pieces thought to have been composed specifically for the plays.

All of the pieces in this collection can be performed on a harp with

The last available Concert Design harp-, cellochair with backrest, fully adjustable. Fabric: cranberry. 

This book contains 7 attractive duets where the first harp can be replaced by a flute, violin, oboe or clarinet. The alternative parts are included. On the CD there are 3 versions of every piece: The complete duet (played by 2 harps), harp 2 solo and harp 1 solo. Practice does not have to be dull. Enjoy your own play. Titles are: "A Las Tres"; "Happy JD"; "Lazy Bones"; "Walking Jumbo"; "Rainy Day"; "Triste";

Start & Harp part 3. Series for young harp players.
An exciting journey through time with Charlotte and Anton. Can they stop the battle between B flat and F sharp?
With challenging solo pieces such as: In de troonzaal van Koning Fis (In the throne room of King Fis), High tea bij Baron Bes (High tea at Baron Bes), De achtervolging (The chase), Ontmoeting bij de muziekboom (Meeting at the music tree)

A manual intended to help harp owners evaluate and correct minor problems with their instruments and understand major problems which may need professional repair. Contains detailed explanations with pictures. Among the topics are: evaluating a harp, buzzing, slipping strings, wood, laminated wood soundboards, neck, bridge pin basics, levers of all sorts, and much more.

Composition for multi level harp ensemble. The music is written for harp ensemble and narrator. It is based on an old Irish legend. Every person or animal in this legend has its own theme. Harp 1 is the easiest part.

Titles: Song of the birds, Forest of Ireland, Flidias, Tuan, Liban, The Lake Deep in the Forest, Fand, Never Seen Again, The Fawn, The Mother's Lament, Fionn and the Men of the Fianna, Fionn

This book is a support manual for the Irish Harp College oral training system.                              

For the student:   It is a back-up to live lessons with a teacher

Harper's Manual for Year 2 of training. This is the harpers’ manual for Year 2 of training featuring a wide range of music from marches to popular folk melodies to historical harp compositions, with some easy jigs, hornpipes and first slow airs. 

Tunes in the Level 2 Tutor include :
Princess Royal, John O'Connor, Planxty Hewlett, Carolan's Draught, Blind Mary,

The Hal Leonard Folk Harp Method is a comprehensive and easy-to-use beginner's guide, designed for anyone just learning to play folk harp. Inside you'll find loads of techniques, tips, and fun songs to learn and play. The accompanying audio features 56 demo tracks that cover most of the music examples in the book.

Covers: the harp and its parts; sitting with the harp; hand position and finger placing; key

This book is a manual for the Adult Preliminary Course in the Irish Harp College oral training system. It is a supporting volume for live lessons with a teacher. This oral method of instruction is a structured approach to learning the Irish harp for students who do not come from the immersion environment of Irish traditional music. IT will teach you to be creative and to ‘participate’ in the