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- Traditional Turkish Tunes Vol.1Rubriek: SoloGeschikt voor: Lever harp
Turkish Tunes wishes to introduce harpists to tunes that are well known in Turkey. Compiled and edited with a pedagogical mindset, they are drawn from a pool of folksongs, songs, dance tunes, instrumental tunes, hymns and marches that feature not only the elements of Turkish music, namely makam and usul but also local musical characteristics from different parts of the country.
Titles: Aşkın Aldı
...€35.95Out of stockMore information - Nikriz Kasap Havasi - lever harpRubriek: SoloGeschikt voor: Lever harp
Kasap havası is a common traditional dance of the Marmara and Trakya regions of Turkey, as well as the Southern Balkans. They are often anonymous tunes in 2/4 or 4/4 meter, that is the nim sofyan or sofyan usuls. From a formal point of view, they achieve development through repeating melodies by expanding them, in this case an A(a+b+c). Because these are dance tunes, they rely on the rhythm. Here, combined with
...€14.95 - Nihavend Zeybek - lever harpRubriek: SoloGeschikt voor: Lever harp
Zeybek is a traditional Turkish dance which has inspired purely instrumental versions as well. Zeybeks are based on a nine-beat per measure rhythmic pattern.
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This particular zeybek is anonymous. Made of two phrases, it is through-composed. The first phrase starts and ends with melodic gestures typical of the nihavend makam, followed by a surprising f sharp that creates a buselik flavour, bridging two related€14.95 - Pancaroğlu, Şirin -Nihavend Peşrev - lever harpRubriek: SoloGeschikt voor: Lever harp
Katip Çelebi (1609-1657) was a famous scientist who lived in the seventeenth century. It is often suggested that the twenty-seven works credited to him may actually belong to a more modern composer based on the fact that his opus seems ahead of the period in which he lived.
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This piece has an ABCBDBEB shape and features the expected four parts, each concluding with the teslim. The piece features melodies€14.95 - An Afterthought - pedal harpRubriek: SoloGeschikt voor: Pedal harp
The idea of composing An Afterthought arose while writing down the transcription of Rehavi Peşrev by Derviş Mustafa (d.1757) for harp, a piece dating to the eighteenth century. The melodic material lent itself easily to another usul, the yürük semai. Moving away from the peşrev which is based on the evsat usul, a rhythmic pattern of 26/8 with a ceremonious character, this arrangement places these melodies in
...€14.95 - The Cry of the Flamingos - pedal harpRubriek: SoloGeschikt voor: Pedal harp
The piece is in the key of f minor and is based on the devr-i hindi usul, a 7 /8 rhythmic pattern grouped as (3+2+2). While the key of the piece is not based on one of the unique scales Turkish makams use, the rhythmic structure is undoubtedly characteristic of Turkish music.
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The piece features a theme which functions as a ritornello, or teslim as it is referred to in Turkish music, which alternates with€14.95